One of Door County’s time-honored traditions is the fish boil, originally brought to Wisconsin by Scandinavian settlers over 100 years ago. It was a simple method for feeding scores of hungry fishermen and lumberjacks after a long day on the water. And today, it’s a timeless recipe for rustic fare that’s still practiced by a handful of restaurants around the peninsula. Part history lesson, and part pyrotechnics, the fish boil is a theatrical dining experience that doesn’t disappoint.
We chose the Old Post Office Restaurant in the village of Ephraim as our dinner destination, because of its home-style, country flavors,
and its front row proximity to an anticipated Lake Michigan sunset overlooking Eagle Harbor.
We made 7:45 pm reservations for the last fish boil of the evening, but the hostess urged us to show up a half-hour before service to experience the magic of the cook.
When we arrived at the Old Post Office, we were directed to a ring of benches behind the restaurant, with a bubbling cauldren in the center. Grown-ups were drinking adult beverages (now possible after Ephaim became a wet town in 2016), and children were staring intently into a roaring fire, dispelling the literal intepretation of a watched pot that never boils.
With side dishes of red potatoes and golf ball-sized onions nearly ready, Jeremy, master boiler from Door County appeared with a basket of whitefish steaks that he claimed to have personally prepped from this morning’s local catch. Having prepared thousands of fish boils over the years, he figures that he has gutted and scaled over 20 tons of Lake Michigan whitefish to date.
After adding more water,
and stoking the fire to achieve a high boil, Jeremy waited for fish oils to rise to the top (assisted by the one-pound of salt for every two gallons of water ratio),
finally signaling the moment we’d been waiting for–dousing the fire with a can of kerosene.
The fire ball brought the heat to all of us in the circle. It was enough to cause the resultant boil over–clearing the broth of ash, foam and fish oil.
When the flames subsided,
the fish was cooked perfectly…
and it was time to eat.
We gathered at the restaurant entrance and lined up–buffet style–to receive our dinner, topped by a ladle of melted butter and a wedge of lemon.
Servers came around to offer drinks and expertly debone our fish…
giving us a plate of food that tasted as good as it looked…
and we ate until the sun went down before us.
Homemade dessert followed–a tart cherry pie from local orchards.
While staying in Bayfield, Leah and I learned of Ashland’s Mural Walk. While only a half-hour from our camp site, we were so preoccupied with three full days of hiking, biking, and kayaking around the Apostle Islands, that time became a factor.
When asking around about the murals’ merits, someone local described the trip as “interesting”, so we decided to make an informed opinion for ourselves. Since Ashland was on our way from Bayfield to Munising, we boarded the Airstream, checked out of Apostle Island Area Campground, and followed GPS to Ashland Mural Walk. An actual POI pinged when I asked Jennifer (our GPS coach) for the route.
We had completed a previous mural walk inPalatka, Florida, also a county seat, and found it odd that their murals were in better shape than the town. We wondered if this was also the case in Ashland.
Ashland’s history dates to 1500, when the Ojibwe stayed on Chequamegon Point. A century later, they were followed by French fur trappers, European traders, and Jesuit missionaries. By mid-1800’s, Ashland’s first settlement was established, and the town prospered as a major quarry and port with rail service to Chicago.
Thanks to mural artists Kelly Meredith and Susan Prentice Martinsen, Ashland’s murals are a pleasant recapitulation of their proud history and their community spirit.
The murals have been beautifying downtown for twenty years. But Ashland wasn’t content to rest on its murals. Since 2017, decorative mosaic containers have been popping up on Main Street, turning trash to treasure.
There are 18 murals located around an 8-block radius of Main Street’s business district.
Leah and I gave ourselves an hour to see as many as we could (we found 12), but a 4-hour drive to Musining still loomed large, so six were left undiscovered.
For additional information on mural titles, descriptions, and locations, or to see what we missed, aMural Walklink is provided.
Although it’s been two years since Leah and I visited Mt. Rushmore, what could be more American than re-posting this visit on Independence Day?
There’s no better way to celebrate the 4th of July, than a trip to Mount Rushmore and the Crazy Horse Memorial. Sure, the crowds were large; that was to be expected. But once the cars were garaged, the pedestrian traffic was easy to negotiate. And with everyone looking up at the mountain, the Presidents’ faces and intentions were never obstructed.
It was also a time to celebrate family. There were plenty of kids riding in strollers, hanging from moms in carriers, or balancing on dads’ shoulders. Generations of families–many of them immigrants–had gathered to pay homage to the principles of freedom that make our country a beacon for the oppressed and downtrodden.
Seniors were being escorted through the Avenue of Flags by their grandchildren. Extended families organized group pictures at the Grand View Terrace, unified by their love of democracy and their reunion T-shirts.
All expressed awe at Gutzon Borglum’s grand vision and remarkable achievement–the transformation of a mountain into a national symbol visited by approximately 3 million people every year.
The 14-year process of carving the rock began with dimensionalizing the Presidents’ portraits through Plaster of Paris masks, on view at the sculptor’s studio-turned-museum.
Additional exhibits detail the construction of the memorial, and the tools used by workers, like the original Rand & Waring compressor, which powered the jackhammers for all the finishing work.
A little known fact is that Mt. Rushmore was once intended to be a tribute to the “Five Faces of Freedom,” but funding ran short when the Congressional appropriation approached $1 million during the Great Depression. Hence, the unfinished carving of the Great Ape to the right of Lincoln serves as a reminder that we are never far from our true ancestors.¹
No less ambitious, and equally as impressive, the Crazy Horse Memorial is a work-in-progress located 16 miles away in the heart of the Black Hills–considered sacred land by the Lakota people.
Conceived by Korczak Ziolkowski in early 1940s,
the memorial, when completed will stand 563 ft. by 641 ft. across, and is expected to be the largest sculpture in the world. Already, the completed head of Crazy Horse measures 60 feet tall…
…twice the size of any of the presidents at Mt. Rushmore. While the first blast was conducted on the mountain in 1947, the current prospects for the memorial are to complete the outstretched arm during the next twelve years. There is no completion date available for the finished carving, which has been financed entirely by private funding since its inception.
Mt. Rushmore was created by a Danish American. Crazy Horse was created by a Polish American. And visitors to both destinations manifest the melting pot that has brought us all together as Americans. It’s our diversity that makes us strong, our ambition and determination that makes us great, and our compassion and sacrifice that make us whole.
These are the values reflected from the faces we’ve immortalized in stone. Yet, we would honor them more by living according to these principles.
Happy Birthday, America!
¹ Just kidding, but the photograph is real and has not been retouched.
From a distance, Mt McKay is imposing, rising 1200 ft over Lake Superior and making it the largest of the Nor’Wester mountains. It gets its name from William Mackay, a Scottish fur trader from the mid-1800s, who lived for a time in the Fort William vicinity.
However, the Fort William First Nation, descendents of the Chippewa tribe, call the mountain Anemki Wajiw (ah-NIM-ih-key waw-JOO), meaning Thunder Mountain,
and consider it sacred land.
Mt McKay is a prominent landmark of the Fort Williams First Nation reserve, and offers sweeping views of Thunder Bay…
from its boardwalk overlook on the eastern plateau…
Leah and I drove up Mission Road to a toll house, where a First Nation member collected $5.00. She advised us to hike the western trail to the flat cap for more commanding views, and encouraged us to return in 3 days to witness a powwow of the Lake Superior chapters. She also offered a menu and invited us to visit her lunch counter in town.
The trail was narrow, steep and challenging with shards of shale scattered over rocky formations. We took our time.
After a weary climb of 40 minutes, we welcomed the cooler air around us as we crossed onto a plate of volcanic rock formed over 1,100 million years ago.
The bright sun promised a crisp and dazzling vista,
but it also seemed to energize the horse flies that soon regarded me as bait.
That’s when I knew it was time to retreat to the bottom of the hill, oh-so-gingerly over long drops onto loose shale.
Once we landed at the trail head, I had decided (after checking with Leah) that we should attend the powwow on Satuday.
On the day of the powwow, we looked for news on the internet. and it was everywhere. The council was expecting over 5,000 attendees over two days with plenty of drumming and dancing. Food tents and crafts stalls would round out the affair. The rules were simple: No Alcohol. No Drugs. No hiking. Have a Safe Time.
We drove to Fort Williams First Nation ice arena, where we met a yellow school bus that shuttled us the rest of the way. Only three days ago, the area was empty and quiet, but today, it looked like a parking lot next to a fairground with fringe tents and trailer camping.
Participants were gathering inside the spirit circle and adjusting their costumes, while spectators were filling the grandstands, and the royalty was assembling in anticipation of the welcoming ceremony.
It was a colorful and festive affair. A steady drum beat managed by eight drummers, accompanied a caterwauling chant of guttural highs and lows and occasional shrieks.
After a prolonged opening procession and invocation, Chiefs and Elders presented flags,
and then it was time to drum and sing and dance again. Grass dancers followed Elders…
who were followed by family members…
who also danced several times around the pavillion with their children…
showing off their feathers,
their elaborate ceremonial costumes…
and their elaborate moves…
After a couple of hours, Leah and I returned to the boardwalk for a stroll to the memorial,
where we discovered a trail to the right that hugged the cliff around the plateau. We hiked further along, scouting for poison ivy as we walked, and came to a clearing where three girls in training bras were sneaking cigarettes around a slab of concrete.
It was an amusing irony and signaled our time to return to the ice arena. The school bus that brought us circled the field–collecting passengers–and momentarily paused at a graphic display of Ojibwe insight and life lessons:
“But this one’s on the water, and not the desert,” I tease.
“I know that, smart ass, and it’s also harder to get to, so you need to be careful!” Leah lectures.
“Like I said, how hard can it be?” I reiterate.
We park the truck only minutes from our campsite at Agawa Bay, and enter the trailhead where we are met with a screaming red sign:
“Like I said…” drops Leah.
I deflect the dig. “Check it out.” I direct Leah’s attention to a different sign to our right–a red diamond hammered to a tree with a white arrow and 400 km on it.
“That’s where the trail begins. And according to that sign, we’ve already walked 20% of the trail!”
It’s true the trail is rugged and a scramble. The descent runs through a narrow chasm, over sharp boulders and bulging roots. But it’s only treacherous if wearing flip flops, which a student rangerette at the visitor’s center admits can be a problem with some hikers.
Halfway to our destination, a gash in the cliff exposes a 10 ft granite chunk mysteriously wedged between darkness and daylight.
In 15 minutes we arrive at a clearing of flat rock where the sky opens up to the water. A colorful cliff 15 stories high looms above us, grabbing my attention.
Leah is content holding onto a pipe rail that separates the adventurous from the cautious.
“Are you coming?” I ask.
“Down there? Not a chance!” Leah answers instinctively.
A short drop onto a wet ledge of granite sloping into Lake Superior takes added time, but planting my feet with measured steps is the best method for staying safe.
Knotted ropes threaded through embedded pipes are there to assist the daredevils who spill into 50° F water.
Once I get my footing, I can sidle across the ledge for a better look at the cliff face.
Venturing further out on the ledge, I meet Mishipeshu, the Great Lynx, who was empowered by the ancient Ojibways to control Lake Superior.
There are dozens of sacred drawings set in stone, dating back to the 17th century, but most are faded and nearly unrecognizable from eons of sun, water, ice and wind. Their message remains unknown, but experts reason that the pictographs depict historical events, and could signify manitous from shamanistic ceremonies.
I carefully manuever onto terra firma,
and we hike back to the parking lot.
“That was amazing, down there,” I exclaim.
“It was alright,” notes Leah.
“But you never got to see the pictographs,” I mention.
“That’s OK. You did all the hard work for me. I’ll just have a look at your photographs,” she laughs.
District Six was known as the soul of Cape Town, and home to nearly 10% of Cape Town’s population. It was a restless melting pot of freed slaves, persecuted Malays, and opportunistic Asians stewing as community artisans, musicians, merchants, immigrants, and laborers in a broth of grit, sweat, determination and talent. The vitality of the district inspired a body of poetry, prose, music and theater infused with swagger.
However, during the 1960’s, a generation of District Six residents lived in fear because of the color of their skin. The Afrikaner-centric government looked to apartheid as a means to squash opposition among the rank and file majority, prompting an official decree to rezone the district as a “whites-only” area, displacing more than 93% of the 60,000 residents.
Government officials offered several reasons in defense of their policy. They regarded the district as a slum; it was crime-ridden and dangerous–overwhelmed by immoral activities like gambling, drinking, and prostitution. They claimed interracial interaction inside District 6 bred conflict, necessitating the separation of the races.
By 1982, the government was relocating the “colored.” They were sent to dusty Cape Flat townships with insufficient infrastructure, while 25 km away, their old homes and businesses were bulldozed, leaving only the houses of worship behind.
Despite government claims, most residents believed that the government sought the land because of its proximity to the city center, Table Mountain, and the harbor.
By 1991, apartheid was repealed, and on December 10, 1994 the District Six Museum was launched in a historic Methodist Church building at 25A Buitenkant Street.
The museum serves as a remembrance to the events of the apartheid era as well as the culture and history of the area before the removals.
The ground floor is covered by a large street map of District Six, with handwritten notes from former residents indicating where their homes once stood.
Other features of the museum include street signs from the old district,
displays of the histories and lives of District Six families,
and historical explanations of the life of the District and its destruction.
In addition to its function as a museum, it also serves as a memorial to a decimated community, and a meeting place and community center for the residents of Cape Town who identify with its history.
Our tour of Cape Town’s darker side continued with a trip to Langa, Cape Town’s oldest township in Western Cape with a population of over 50,000.
Originally conceived in the 1920’s as a company residence for shipyard workers from surrounding villages, the existing barracks are home to multiple families occupying a two-room unit.
Our tour began optimistically with a walk through the Cultural Centre on the edge of the township that has partnered with local artists to rehabilitate the neighborhood…
and reinforce arts education as a means of promoting self-esteem and securing a successful career path for talented residents through ceramics,
We continued our visit with a guided street walk through the neighborhoods…
Over and over, we asked ourselves, “How can people live this way?”
Realizing that we were a half-hour away from our luxury hotel made us uncomfortable and acutely aware of the abject poverty and abysmal living conditions surrounding us.
Unemployment stands at 40%,
and sanitation is an afterthought.
After negotiating with the house matriarch, our guide ushered us into a dank hovel fit for a family of four families. Several small children were playing on the floor, while adults went about their business of doing laundry,
or relaxing in front of a pirated broadcast on a vintage TV.
It was an awkward moment that may have been intended to shock us or educate us; I’m not sure which. But the people inside were nonplussed by our appearance, as if our intrusion was a routine occurrence.
If only we had been forewarned of this encounter, it would have given us an opportunity to gift them some wholesome food and clean water.
The citizens of Langa and the 2.5 million living in other townships on the edge of Cape Town struggle daily. Even now, as before, they rely on each other to survive, while the government offers little more than lip service in exchange for votes.
Much of Cape Town radiates with modern appeal, brandishing its abundance of fashionable and trendy shops, galleries, cafes, restaurants, and hotels throughout the city. However, the crossroads where residents and tourists travel to find it all is Cape Town’s waterfront.
Leah and I took a walk through the waterfront district to see for ourselves, and found that one day was not enough to cover it all.
The heartbeat of the waterfront is the Victoria and Albert Wharf, where the city meets the sea.
Grounded by a two-story mall, the Victoria Wharf Shopping Centre bustles with 450 retail stores, and over 80 restaurants and eateries.
Beyond a swinging bridge and a capsule of specialty malls stands the Clock Tower, where a ferry (calm seas and weather permittting) awaits to shuttle intrepid visitors to Robben Island…
the one-time prison of Nelson Mandela from 1964 to 1982, but now a museum and World Heritage site. Unfortunately, high swells prevented us from visiting.
His importance to the city and country cannot be underestimated, as his name and face is omnipresent throughout the region.
Visible from all points of the city, and looming over the wharf is Table Mountain,
accessible by cable car, with commanding views of the city below. Unfortunately, Leah and I never made it to the top because of gusting winds at the time.
Continuing south, we mounted a set of stairs…
directing us to the Silo District, where a 1920s grain silo…
has been repurposed into the Zeitz Museum of Contemporary African Art,
having opened on September 2017, and boasting the world’s largest collection of African art.
The building also houses the Silo Hotel, occupying the top six floors within the one-time grain elevator. Daily rates during low season range from $900 for a luxury room to $5000 for a 1-Bedroom Penthouse. Leah and I thought we’d have a look around.
The elevator carried us to reception on the sixth floor, where we spoke to an attendant who eagerly escorted us to the eleventh floor open-air restaurant, lounge and pool.
Having missed out on a Table Mountain overlook because of weather, our surrounding views of the stadium,
the ship terminal,
and the courtyard below were spectacular, and made up for our disappointment.
Once back on earth, we headed past the shipyards…
and along the canal…
to Battery Park, a greenspace where families gather to skate and picnic.
After reaching City Hall in the distance, we doubled back to the waterfront, eager to continue the next part of our journey in search of wild animals.
A recent two-week trip abroad was much more than a European romp through a handful of city centers. My mission was ambitious: to gather relevant data on my mother’s ancestry that has thus far proved elusive, and reconnect with family across the Atlantic whom I haven’t seen in nearly 48 years.
My itinerary took me through the highlands of Scotland, to the canals of Holland, to the Rhineland of Germany,
with travel hubs in Edinburgh,
before taking a breath, and finishing strong as a tourist in Brussels,
Each stop was consequential in my quest to uncover vital research of my mother’s epic escape from Nazi Germany, and the endless road taken to reunite her broken family.
This was not an easy trip, but I could sense that during the planning stage. Yet, preparing myself for the inevitable and predictable emotional turmoil was balanced by the prospect of discovery–knowing that every step was taking me closer to connecting the dots.
Starting in the UK, I then worked my way back in time to The Netherlands, and eventually Germany–where it all began–but it was Amsterdam that proved most pivotal in my discovery and the epicenter of my travels, because it was Amsterdam that first offered safe harbor and hope for two young sisters, who until then, only had each other.
It was in Amsterdam that my long-distance cousin Jude and I began to fill in the missing pieces.
It so happened that a landmark exhibit of rare photographs at Amsterdam’s National Holocaust Museum coincided with our visit, and immediately became a must-see.
A large number of photos were taken by professional photographers, mostly commissioned by German authorities for use as propaganda.In addition, there were also countless amateurs who photographed the persecution and deportation of the Jews.The NIOD (Institute for War, Holocaust and Genocide Studies) manages by far the largest photo collection on this theme and conducted extensive research into the visual history of the persecution of the Jews in the Netherlands.Countless archives at home and abroad were consulted;this has led to the discovery of many still unknown photos. The exhibition shows a large and representative overview of the photographic recording of the persecution of the Jews.The images show in a penetrating and confronting way, the consequences of the anti-Jewish measures in the occupied Netherlands.They bear witness to the merciless behavior of the German occupiers, the cooperation of the Dutch in the deportations, but also the help to people in hiding and to the daily Jewish life during the occupation.In addition, attention is paid to the post-war reception of the few survivors from the camps and those who returned from hiding.
First greeted with a timeline of events,
we proceeded through an open-air corridor and into a subdued chamber, where mostly elderly patrons followed a photographic progression of Holland’s involvement in the war, and its impact on the Jewish population:
Experiencing the exhibit was numbing to my core, but still my senses were on high alert. What were my chances, I wondered, that of the 140,000 remaining Jews in Holland from 1940-1945, I might find a photograph of my grandmother stitching an article of clothing…
for the Jewish Council,
to match up with one of the few yarns she used to tell me when I was so much younger and unappreciative of her travails?
Perhaps, she could be the proper woman in the gray coat with the straight back walking the lane between barracks in Westerbork.
Or might I recognize her in a crowd of 2,500 faces that was awaiting one of three “death trains” to Theresienstadt after the Nazi command realized that the Allies were only days away from liberating Bergen-Belson on April 15, 1945.
At times, I used my camera as a shield to protect me from the full impact of the horror behind the photographs, thinking that if I could position myself as someone who is solely documenting the documents, than I could better insulate myself from the madness that she and so many others must have experienced.
An interactive Remembrance Wall occupied a room by the Museum foyer, encouraging patrons to search its ever-evolving database for the names and dates of Jewish victims who perished in Holland.
As a tribute to my unknown maternal grandfather Mnil…
I entered his name into the query window. He never survived Westerbork, and I had a quiet moment of reflection and gratitude for his courage to save his family before himself.
A two-hour drive to Kamp Westerbork with Jude did nothing to assuage my feelings of emptiness and sadness, but the site was ironically enlightening and beautifully serene.
Once at the memorial museum, we were greeted by a train of suitcases, representing the cycle of detainees that the Dutch pushed through Westerbork over the years,
with an emphasis on the plight of 102,000 Jews who sacrified their lives, all for the sake of a twisted manifesto of hatred.
Jude and I met Guido, the senior conservator of the museum at the museum cafe,
where he eagerly shared news and theories of our grandfather’s demise and our grandmother’s salvation through a collection of registration documents.
Two miles away, the hallowed grounds of the memorial can be reached on foot or by bus. Mostly empty space and green fields for an array of radio telescopes,
it nevertheless showcases a collection of iconic relics from the war that survived the Dutch government’s demolition of the camp in the 1960s.
There is a glass enclosure protecting the Commandant’s quarters;
an original boxcar that stands as a testament to the 84 trains that transported Jews to Auschwitz and Sobibor,
where nearly all of the 94,643 persons deported were killed on arrival;
a monument to the 102,000 Jews of The Netherlands who passed through Westerbork…
and lost their lives;
the remnants of a barrack;
and a guard tower standing beside a metaphoric railbed.
I drifted from display to display, as if being involuntarily directed like a Ouija board peg–believing that I was somehow being programmed to walk in the footsteps of my grandparents.
Upon return to Amsterdam, Jude and I strolled through the Jewish District, walking past the Portuguese Synagogue, an imposing Baroque structure completed in 1675, where most certainly, our family would have prayed, but sadly, never as a family;
and along Weesperstraat, past the Monument of Jewish Gratitude,
where a controversial limestone edifice will soon be replaced by Daniel Libeskind’s Shoah Memorial.
From there, we strolled in search of the Burgerweeshius,
once the landmark orphanage that sheltered our moms after they were transported from Soesterberg…
and now home to the Amsterdam Museum.
For one moment, I thought I could hear the faint and familiar sound of children playing in the courtyard–playing tag around the tree, and playing soccer across the herringbone pavers.
Amsterdam had much to offer. Walking through the city, I felt an eerie sense of belonging–not because of the dissonance of grief–past or present–but the resonance of a shared understanding brought about by reconnecting with my cousin, Jude and the revelation that Amsterdam’s secrets have become an open book of acknowledgement and remembrance.
Peering into shop windows along the streets and canals of Amsterdam…
…presents many an oddity that will surely arouse the senses. Although, considering Amsterdam’s predilection and distinction for legal marijuana and prostitution, it would seem unlikely that there could be any room for other surprises.
Yet oddly enough, despite the merchandising overload of everything cannabis,
and the city’s penchant for 24-hr flesh peddling,
there is more to Amsterdam than just kink and circumstance.
There are also plenty of museums,
and enough al fresco cafés and frites stores to support a cultural and gastronomical battalion.
Amsterdam is a place for eyes behind your head, because two eyes in front is not enough to sidestep all the oncoming cyclists coming from every direction,
but also to catch all the head-turning outrageousness of an unrepentant town that still embraces Easter.
Amsterdam is a place to relax. Heck, half the population is already stoned, and the pungent waft of weed is a strong reminder to kick back and enjoy the scenery.
Amsterdam is a tolerant town, where all kinds of people gather and co-exist without judgement or little reservation. Citizens are proud and expressive, at times aggressive, but mostly helpful–although they smoke entirely too much, and regard the street as their personal ashtray.
As a laissez-faire society by practice and design, it appears to work. Quite simply, Amsterdam is a libertarian’s delight!
And that leaves plenty of room for rubber duckies and vaginas, and everything between.
Brussels loves its folklore. And its citizens are unabashed about it. They show it off around town, and celebrate it with a flourish.
Belgians are world renown chocolatiers, and proud of their invention. Case in point–Jean Neuhaus…
…a one-time chemist who realized that a chocolate coating around a pill helps the medicine go down. His pharmacy in Galerie de la Reine…
located in a glass-covered mall of pilasters, arches, and windows…
was converted into a chocolate shop in 1912, when he replaced his pills with praline, giving rise to an international addiction, and no doubt, a tooth decay epidemic.
On this particular day, the theme of chocolate carried over to Brussel’s most famous fountain–a 17th century pisser known as Manneken Pis–who was undergoing a celebrated makeover with yet another costume.
The pomp and circumstance surrounding the event was palpable. A singing society of Manneken Pis enthusiasts had crowded the corner of the Incubator and Oak Street,
just south of Grand Place…
in anticipation of the grand reveal.
Outside the circle of importance, a fringe show delighted the onlookers.
Eventually, the Nation’s colors were pulled away to expose the little exhibitionist dressed as a chocolatier–one of 1000 different costumes he has worn throughout the ages.
But Manneken Pis has some able-bodied company. Located a short distance away, his counterpart, Jeanneke Pis is a fine squating specimen.
It is believed by Belgians that the fountain was built in honor of loyalty. An old custom states that a coin tossed into the basin will bring good luck and is an expression of fidelity.
Of course, what could be more loyal than man’s best friend, symbolized by Zinneke Pis…
…thus completing the pee pee trilogy.
Dogs are a common site and symbol around Brussels, and represented throughout history, whether at the foot of Everard t’Serclaes, a 14th century legend, embodied in thestatue of his reclining corpse–
which is believed by locals to bring luck to all passers-by who rub it.
And then there’s Tintin’s dog, Snowy,
a comic sensation created by Belgian cartoonist Hergé (aka George Remi).
There is a framed beauty and whimsy about the city of Brussels.
While it never takes itself too seriously,
there is just enough richness…
and Old World charm…
…to compete with any of the other great European capitals, while never forgetting its role as de facto capital of the European Union,
Everyday is Halloween at Les Catacombes de Paris. But, it’s not about dressing up in outrageous costumes, or wearing outlandish make-up. It’s about visiting a subterranean ossuary that radiates miles in all directions beyond the 14th Arrondissement of Paris.
Taking 130 steps into the bowels of time…
…and following a long and winding stoney path…
…through weeping ceilings heavy with humidity,
and sobering humility,
one reaches an imposing gateway, warning: STOP! THIS IS THE EMPIRE OF DEATH!
Beyond the entrance exists a daunting surreality that 6 million human remains reside here, integrated into the walls of 8000 year-old limestone tunnels once quarried to build Paris into one of Europe’s brightest beacons–bringing an eerie normalization to the horror and beauty of this place, for the skulls and bones are often arranged in an unnatural state of decoration.
With Parisian cemeteries overflowing their boundaries, Louis XV and Louis XVI crusaded for a ban on future burials within city limits when the insufferable stench of rotting corpses began overwhelming the community. But the Church pushed back, citing that the dominion of God’s holy spirits should never be disturbed.
However, in 1780, a rush of Spring rain caused a wall to collapse between a house cellar and the Holy Innocents Cemetery, causing the unsanitary contents of its burial pit to flood the house.
Thereafter, all Parisian cemeteries were exhumed,
and the bones were transferred into the catacombs–
a practice that continued until 1859.
Yet, it’s the skullpture, first imagined by Hericart de Thury, the inspector of the quarries during 1810 that resonates most among the catacomb’s 300,000 visitors each year.
Although there is a bone to pick: roving security discourages tourists from touching sacred ruins or leaving graffiti behind,
while a final bag check at the conclusion of the one-hour tour prevents tourists from poaching remnants.
But if souvenirs are a must (and who doesn’t enjoy a small memento of their visit), the gift shop at the museum exit does a brisk business–
There’s no need searching for fabulous viewpoints in Edinburgh, because the city is chock full of them. And each one delivers the most splendid views of a town steeped in Scottish lore and history. All that’s required is an ability to scale any of the neighboring hills, and the payoff is heavenly.
For instance, a hike up to Castle Rock…
to access the gate to Edinburgh Castle…
provides a fantastic overlook to the south end.
But the bigger reward becomes more apparent after buying an access ticket to the castle for £18,
and stepping back through time to follow in the footsteps of Scottish royals who traversed the cobblestone roads since the 12th century.
Once inside Foog’s Gate, one discovers St Margaret’s Chapel–the oldest surviving building in Edinburgh–built around 1130 by David I, and dedicated to his mother Queen Margaret, who was later canonized in 1250 by Pope Innocent IV.
The chapel was designed in a Romanesque style with small, irregular stones fashioned in a simple rectangle, and underwent major reconstruction in 1851 by Queen Victoria,
and was updated with Douglas Strachan’s stained glass windows in 1922.
St Margaret’s Chapel commands a view of north Edinburgh,
looking to Leith.
In addition to the best westerly views in the city…
the Castle’s royal palace…
offers a glimpse of the elaborate decoration of the birth chamber of James VI, son of Mary Queen of Scots.
A visit to the Great Hall is also in order…
boasting an interior ceiling constructed without nails–looking much like an upside down hull of a boat–
and housing a variety of vintage weapons displays.
Several exhibits on the mount recount the many coronations of its kings and queens,
the fighting character of the Scots…
and an active tribute memorial to all of those who have fallen in battle throughout the ages.
Once outside the castle entrance, a walk down the Royal Mile…
past The Hub (where the famed Fringe Festival headquarters resides)…
will likely lead to an encounter with a bagpipe player…
standing by one of the many Closes of Edinburgh which look out to the north and south.
Continuing further east is St. Giles Cathedral, founded in 1124, and the focal point of the Scottish Reformation in the 16th century.
Inside the church are an array of small knaves and chapels enhanced by extraordinary examples of intricately detailed stained glass.
Views of Edinburgh also abound from Calton Hill,
where several monuments dot the landscape, whether it’s to honor Horatio Nelson,
or the war veterans who lost their lives in the Napoleonic Wars.
Once the site of medieval tournaments and festivities during the 1400s, Calton Hill was also the best place to catch public executions in the 1600s.
But today, it’s best known for it’s iconic views of the royal residence, Hollyrood Palace positioned beneath Arthur’s Seat,
and a look down Princes Street.
the real appeal of Edinburgh lies in its streetside presence, where it’s never too early (or late) to duck inside a pub or a whiskey bar on Grassmarket…
for a pint or a single malt to really put a different spin on the city views.
High up on Hill Street overlooking Glasgow’s valley…
stands a proper and prominent synagogue, as if telling all concerned, that the Jews of Glasgow are here to stay, and equally deserving of a splendid house of worship to celebrate Shabbat and festivals that can easily compete with a host of surrounding Anglican and Roman churches.
The Garnethill Synagogue is Scotland’s oldest, built between 1879 and 1881 with flourishes of Romanesque Revival on the outside,
and Byzantine Revival architecture on the inside…
leading to a grand sanctuary…
once defined by an Orthodox tradition of seating women upstairs, apart from men who prayed downstairs.
But that edict has changed at Garnethill Synagogue for a different reason: there’s simply not enough of a remaining congregation to fill the seats. Men and women are now reunited downstairs, but (thank God) still segregated by sitting on opposite sides, gaining entry through separate doors.
Harvey Kaplan delights in telling me the story of Jewish immigration to Scotland.
For the past 11 years, Harvey has actively advocated for the past. He leads the charge as the director of the Scottish Jewish Archives Centre, an adjunct to the Garnethill Synagogue, working to make Scottish Jewish heritage relevant to a shrinking Scottish Jewish community that now favors bigger Jewish population centers in Manchester and London.
His vision will soon reach fruition thanks to a grant and remodel to be finished by 2020.
I had contacted Harvey earlier in anticipation of my efforts to research of my mother’s journey as a girl through Britain during the Holocaust.
After a tour of the sanctuary, we got down to business. Harvey’s mission to preserve the nation’s Jewish identity became clearer to me as I reflected on my drive to Haddington and Polton earlier in the day.
Before my appointment, I first stopped at Whittingehame House–
–one-time residence of Lord Balfour, Prime Minister, statesman,
and architect of the monumental Balfour Declaration, which granted homesteading rights to Jews in Palestine after Middle Eastern maps were redrawn following WW1.
In the wake of Jewish children seeking refuge in Britain to escape the Nazi scourge, Lord Balfour’s nephew and heir, Viscount Traprain, offered his home and its extensive grounds, surrounded by twisted yew trees,
as a farm school from 1939 to 1941 for teenaged refugees interested in making Aliyah to an Israeli kibbutz in the near future.
I became aware of the change to the estate when I noticed an online ad (https://www.onthemarket.com/details/3579306) detailing a ground floor, 4-bedroom flat with an asking price of £1,850,000. But still, I had to see it for myself.
Unfortunately, nobody was home. Perhaps, I should have made an appointment with the realtor.
From Haddington, I traveled to Polton, a community near Lasswade in Midlothian, in search of the Polton Farm School, the successor to Whittingehame Farm School, when Whittingehame closed its doors in September 1941.
The trip became more challenging after Google maps rejected my request, and left me hanging. I drove through several country hamlets looking for a sign (from God), and found the clue I was looking for by the side of the road.
I spoke to the lassie tending bar at the Polton Inn, who admitted to being a born and bred townie who knew a wee bit of history about the area. As I spun my story, she perked up.
“You absolutely must go next door and speak to the gentleman of the house. Certainly, he would know better than anyone what became of the school, ’cause I know for certain there was a school there back in the day, for I believe the farm you’re speaking of is on the other side of our wall,” she said.
I loved listening to her brogue, and wished I could perfect that lilting tone. “You mean I was that close?” I wondered.
“Will you come back and tell us what he said?” she asked.
If there was any doubt, the gates said it all.
Unfortunately, the farmer turned me away, informing me that all the property was split up in the 1960s to make room for development. There was nothing more than that.
Harvey didn’t have very much on Polton House either, but he’s optimistic. Somewhere, he surmises, there’s an attic somewhere in Scotland filled with a treasure trove of documents and photographs that’s waiting to be discovered by the descendants of early refugees, immigrants, and freedom seekers who willed a way to make a life for themselves and their families.
And when that should happen (and it does happen), Harvey will be there with his troupe of volunteers to dutifully catalog it all in order to preserve Scotland’s Jewish identity while there is still something left to preserve.
When we parted ways, I returned to the Glasgow overview,
There’s a wall of potty talk that circles the public restroom in the center of St. Augustine’s Old Town on St. George St. It follows a chronology of lavatory achievements through the ages as a testament to shitty innovations in evacuations. So before you make a big stink and turn a blind eye to an issue this pressing, just cut the crap and log into a blog that offers a fulfilling means to an end:
“This small chamber, located inside an ancient dwelling, had a drainage system that connected to other dwellings, and may have been an early toilet and sewage system.”
“This large public latrine with marble-topped toilets was used by the elite as a privilege of royalty and nobility.”
“Sir John Harrington published a book describing the forerunner to the modern flush toilet and installed one for his godmother, Queen Elizabeth I, at Richmond Palace, which she refused to use because it made too much noise.”
“This British chamber pot, a ceramic called Sponged Pearlware, was used by St. Augustine colonists.”
“Archaeologists excavated this toilet from the moat that ran along the Cubo Line, a defensive earthwork that protected access to the city. Long used as a dump by St. Augustine residents, the city filled in the moat in 1900.”
Society has made major advances in personal hygiene, to the extent that there are deco palaces devoted to pepsic discomfort…
while also allowing for targeted political commentary.
In celebration of Pi-Day, Leah and I scored theater tickets to the national tour of Waitress, presenting at Times-Union Center in downtown Jacksonville. Wanting to take advantage of fair weather, and never having seen Jacksonville during daylight hours, we decided to make an afternoon of it by visiting the Cummer Museum of Arts and Gardens located in Jacksonville’s Riverside neighborhood, a short distance from our evening venue.
And it was well worth the trip.
In 1902, Arthur Cummer joined his parents, Wellington and Ada at their St. Johns River homestead, and built a half-timber English Tudor style house for Ninah, his bride. Arthur and Ninah began collecting art soon after.
Only the designated Tudor Room remains from the original house, so “the public at large may enjoy some insight into the personality of the owner.”
A series of interconnected museum wings are separated by a courtyard paved with terra-cotta tiles from the Cummer’s old roof.
The original Cummer collection plus acquired collections of paintings, sculptures, and Meissen porcelain fill fourteen galleries, span 3200 years, and range from:
to 100 CE…
to 13th century…
to 17th century…
to 18th century…
to 19th century…
…to contemporary artists like Harlem Renaissance sculptor, Augusta Savage, whose work is currently exhibiting in the Mason Gallery.
Following Arthur Cummer’s death in 1943, Ninah wished to establish a “center for beauty and culture…[for] all of the people” on the residence grounds.
Upon the widow’s death in 1958, the estate and gardens were granted to the DeEtte Holden Cummer Museum Foundation. Soon after, buildings were demolished (with the exception of the Tudor Room) in favor of a state-of-the-art museum that opened in 1961, followed by a detailed restoration of the property’s Italian Garden…
the Olmstead Garden…
and the English Garden–
all of which were added to the National Register of Historic Places in 2010 for outstanding “American landscape design in the first four decades of the twentieth century.”
As northeast Florida’s largest and most significant museum and arts education center housing over 5,000 works of art…
the sky is the limit.
BTW…the show was a tasty morsel about a bittersweet topic.
On the third day of a four-day affair, the 1-mile approach to the Ritz-Carlton Hotel was thoroughly congested. In addition to stand-still traffic, an unbroken chain of cars akimbo were parked on both sides of the grassy shoulder.
A steady stream of walkers of all ages easily out-paced my Ford pickup on the way to the Amelia Island Concours d’Elegance, north Florida’s premier destination for car connoisseurs–and in some cases–car collectors with deep pockets. They have come from around the world to claim bragging rights for owning many of the rarest sporting and cruising motorcars worthy of six to seven-figures.
We mastered the final quarter-mile in 30 minutes. Once past the event entrance, we took a quick right and followed the signs that led us to a string of ad hoc neighborhood parking concessions charging $40 for the day. Fortunately, as I approached the first backyard turn-in, a couple was just claiming their vehicle–leaving an open spot for me.
“Are you kidding?! I’m not paying that kind of money for a parking spot! That’s highway robbery!” announced Leah to me.
“Is it any cheaper down the road?” Leah called out to the attendant/mansion owner.
“It’s the same, but if you’re willing to walk back about 20 minutes, you might be able to park somewhere for half the price,” he offered, “but you need to make up your mind ’cause there’s traffic piling up behind you.
I turned into the lot.
“Location, location, location,” I declared.
The sunny skies were a blessing and a curse. The weather was perfect for strolling along the 1st, 10th, and 18th fairways of the Golf Club of Amelia Island…
to gaze at more than 400 classic and exotic automobiles.
However, the owners who were standing guard over their prized possessions were invariably hard at work, answering questions, overstating their cars’ value, and forever polishing away the glaring fingerprints of so many gawkers-turned-touchers.
A full representation of cars from every manufacturer was mostly categorized by brand, ranging from Datsuns…
with occasional support provided by corporate tents and stages…
showcasing concept cars…
elite production models,
and vintage heirlooms.
There were novelties…
steamed-clean engines to admire…
and glorious paint jobs to behold…
But most enjoyable was sitting on the sidelines watching a parade of auctioned vehicles…
as they were being polished,
by teams of attentive handlers in white gloves…
before facing RM Sotheby’s gavel. According to the auctioneer:
Leading RM’s string of 19 individual million-dollar-plus sales and claiming top honors of the 2017 Amelia Island auctions was a striking 1937 Bugatti Type 57S Cabriolet, one of only three examples sporting rare coachwork by Vanvooren of Paris. Offered for public sale for the first time in its 80-year history, the highly original Type 57S sparkled under the auction lights during Saturday’s sale session, commanding $7,700,000. Just moments prior to the Bugatti’s sale, a well-known 1929 Stutz Model M Supercharged Coupe, one of only three supercharged Stutzes in existence, proved demand remains strong for great American Classics at auction, selling for $1,705,000 against a pre-sale estimate of $1/1.2 million. The strong sales price represents a new record for a Stutz at auction.
Friday’s sale session was also one for the books, with the Orin Smith Collection generating $31 million in sales with a 100 percent sell-through. A wonderful showcase of RM Sotheby’s expertise and capabilities in handling private collection auctions, the sale represented the first time RM has hosted a Friday evening sale at Amelia, and provided a fitting tribute to a man beloved by the Amelia crowd, drawing a packed sales room. The group of 63 vehicles was headlined by a stunning 1936 Lancia Astura Cabriolet Series III “Tipo Bocca” at $2,145,000. Other notable sales included:
the 1956 Bentley S1 Continental Drophead Coupe, just two registered owners from new, shattered both its presale estimate of $700/900,000 and the previous auction record for the model at a final $1,683,000;
a superbly restored 1933 Rolls-Royce Phantom II Special Newmarket Permanent Sedan soared past its $1,000,000 high estimate at a final $1,237,500; and,
a 1966 Aston Martin Short-Chassis Volante, the very first example of just 37 built, sold for $1,705,000.
The power of ‘no reserve’ exhibited at Friday’s Orin Smith Collection sale was witnessed again on Saturday with terrific results achieved for a well-known private collection of 10 sporting cars. Highlighting the group, a dramatic two-tone red and black 1956 Maserati A6G/54 Frua Coupe Series III, much-admired by enthusiasts during preview, provided one of the most intense and lively bidding contests of the weekend, eventually selling for $2,365,000 against a pre-sale estimate of $1.6/2.2 million. From the same collection, a 1974 Porsche 911 Carrera RS 3.0 eclipsed its pre-sale estimate of $900,000 – $1.1 million to storm into the record books at a final $1,375,000 (an auction record for the model). Also commanding strong bids were a spectacular 1954 Mercedes-Benz 300 SL Gullwing, which realized $1,358,500, and a stunning 1955 Alfa Romeo 1900C SS Coupe, which brought $1,100,000.
Other noteworthy sales of RM’s 2017 Amelia Island event include:
the 5,694-mile 1995 Ferrari F50, originally delivered to famed heavyweight Champion boxer, Mike Tyson, sold for an above-estimate $2,640,000;
a 1938 Graham 97 Supercharged Cabriolet, exquisitely restored by RM Auto Restoration, set a new benchmark for a Graham at auction with its strong $770,000 final price; and,
ending Saturday’s sale session on a fun note, a 1963 Meyers Manx—the original dune buggy—doubled its pre-sale estimate to sell for a record $68,750.
Collective sales for 135 blue-chip entries generated nearly $71M in sales–producing a record high in the event’s 24-year history…
…and at prices that would make a hood ornament blush.
There was a time when slamming back Jose Cuervo tequila shots defined my notion of drinking socially and irresponsibly. When attending college mixers and parties, it was the perfect way to act cool and behave stupidly at the same time. The time-honored tradition of licking salt before swallowing a rim-topped shooter glass and finishing with a limon bite was a pattern of behavior that I remember clearly, but can’t recall with any accuracy.
It was also my surrender to the fiery pepper that typically accompanied the alcohol. While the raspa would rocket through my gastric canal, I often wondered how I survived the taste of jet fuel laced with vanilla extract. But those negative thoughts always melted away after the third shot. That’s the magic of tequila; sometimes it makes you question your own sense of reality.
As we aged, so did our palettes. Drinking buddies flush with more disposable income succumbed to the lure of unblended Scotch or reveled in the crisp bite of French vodka. But not me. I saw no reason to search for a better bitter. It seems I was too emotionally attached to tequila to switch to a competing liquor.
My mission was to find a tequila that didn’t taste so nasty. Move over Jose Cuervo, and say hello to Patrón.
Apart from all the trusted distilleries in Jalisco, Mexico, the one tequila that resonated in America debuted in 1989, and soon captured a coveted 30% market share–not because of Patrón’s unique flavor profile or quality control standards, but because shampoo mogul and co-founder, John Paul DeJoria positioned Patrón’s top-shelf status through its hand-numbered bottles, silk ribbons, and round-top corks. Late-show tequila was now dressed up and ready for prime-time.
It wasn’t long before other celebrities jumped on the brand-wagon to use their cache to cash in. While Jimmy Buffet’s Margaritaville and Sammy Hagar’s Cabo Wabo supported the aging baby boomer sub-culture, George Clooney’s Casamigos courted the endless summer sect, and P. Diddy’s DeLéon catered to the crowd behind the velvet rope.
Tequila’s makeover has generated record-breaking sales since 2012. According to the Distilled Spirits Council (DISCUS):
…tequila volumes [in the U.S.] have grown by 121%, at an average rate of 5.8%. In 2016 alone, 15.9 million 9-liter cases were sold. What is even more impressive is that while the volumes of value and premium tequila grew by 93% and 72% during the aforementioned time frame, those of high-end premium and super-premium shot up by 292% and 706%, respectively.
And spirit producers are betting big that the current wave continues. Last year, DeJoria released his remaining 70% of Patrón shares to Bacardi for $5.1bn, and Diageo secured Casamigos from Clooney for $1bn to stand beside its Don Julio brand acquired from Jose Cuervo in 2014.
With my head spinning from all the stats, I needed a drink…or more. And I needed clarification and historical perspective to make sense of it all. Fortunately, when at our resort South of the Border, Leah and I were introduced to Socrates, our waiter at Vidanta’s La Cantina on the Riviera Maya, who was eager to share information about his culture, and the connection between tequila and Guadalajara, his family’s home for the past 200 years.
Ordinarily I’d order a margarita before my meal, like so many times before…
but on this night, Socrates offered me a turn at the tasting table…
and a briefing on the distillation process of tequila and its significance to the Mexican economy.
“Tequila has been produced in Mexico since 1726, but mezcal has been distilled by the Toltecs in clay pots for special ceremonies since the year 600. My family has been growing blue agave and producing spirits before my abuelo was walking,” stated Socrates, “so it is my honor to present you with our wonderful heritage and the drink of my people tonight.”
He continued, “Tequila is a very special drink that requires lots of patience–from the ten years the agave tequilana plant grows to maturity in the sandy hills of my country–until it is harvested. Once all the leaves are stripped from the agave plant, the piña is roasted, and the juice is released by running the tahona over the piña. This is true for all the varieties of tequila you will sample tonight.”
“What makes it clear and what makes it golden-colored?” I asked.
“Ah, that is all about the aging,” replied Socrates. “Silver tequila or blanco is tequila in the purest form with the most natural taste after the distilling process–a little bit of sweet with a taste of citrus and pepper. It is preferred when making margaritas.
“And the golden color?…” I reiterated.
“That is the color from the barrels to age the tequila. Usually 6 months resting in an oak barrel, sometimes already flavored from bourbon or wine, and we call it tequila reposado. The taste is a balance between the agave and the wood–more smooth with hints of caramel and spice,” Socrates continued.
“But for me, the real tequila is the sipping tequila called tequila añejo. This is tequila aged for at least one year in the barrel, which now darkens the tequila to an amber color. It is very smooth like fine wine or whisky, and is to be enjoyed at room temperature,” he concluded.
I pointed to the tequila table. “But there are bottles that are marked ultra and extra añejo. What about them?”
“That’s the newest tequila category that’s been added since 2006,” remarked Socrates. “It refers to tequila that’s been aged more than 3 years. So it tends to be darker still, unless the color has been filtered out, and looking like a blanco. But what’s left behind is tequila that is incredibly smooth and complex and rich, with very little alcohol taste.”
“How rich?” I asked.
“This tequila can cost over $300 a bottle,” he exclaimed.
My first Mexican vacation dates back to June 1975, when Mayan archeology was en vogue among discovery buffs and adventure seekers. Notwithstanding the primitive infrastructure and limited tourist facilities throughout the Yucatan Peninsula, the ruins of Chichen Itza and Uxmal were touted as the new off-the-beaten-path destinations worthy of exploring. And sleepy Cozumel was quickly becoming a lightning rod for scuba enthusiasts after Calypso dropped anchor atop the world’s second largest reef system mapped by Jacque Cousteau in 1961.
My unforgettable honeymoon exploits began with a flight to colonial Merida. After a few days roaming the Yucatan capital, my travel agent provided a wretched VW bug for cruising the crude roadways through the jungle to explore the nearby Mayan pyramids. Unfortunately, car shocks were not an available option, so cruising in the beetle became a bone-bruising experience.
The drive took Ros and me from ruin to ruin to Quintana Roo, with a proposed route down the coastline to Akumal’s picturesque Yal-ku lagoon and neighboring cenotes. But not before the bug broke down at noon on the border of a carved out town with a hard-packed dirt road reserved for payloaders and dump trucks. If only I could find a phone to notify the local agency in Merida…but not so fast.
In what was to later become Cancun City, there were only two available telephones in town: one belonged to the military police, and the other was located inside an established cantina, where we waited our turn behind a long line of contractors from Mexico City who had queued up to call home for supplies and payroll.
As luck would have it, my bride and I were befriended by the manager of the Sheraton Hotel–the very first hotelier to arrive on the Cancun scene–who overheard our predicament and offered to advocate on our behalf. Having identified himself as the only bilingual person in the vicinity, I thought I had discovered El Dorado.
We shared a meal of tamales and cervezas, and counted the electronic chimes gonging from the newly erected church tower, as day turned into night-for-day, with crews working around the clock in the hope of meeting an insurmountable deadline. I can’t remember if it was four or five or forever hours, but within that time frame our GM had located and negotiated with a local Mayan mechanic who had limited experience repairing diesel lawnmowers, and was willing to diagnose our car trouble on the spot.
After Fabio rebuilt our carburetor for $75, we were on our way, albeit ten hours behind schedule, but secure in knowing that a full moon would help light our way as we rumbled South to our next few stops.
At the end of our first week on the mainland, we reached a charming fishing village known as Playa del Carmen where we ferried across to Cozumel for what was to be the relaxing second half of our honeymoon. A ride through roiling seas did little for our confidence and constitution.
We checked into Cozumel’s exclusive El Presidente Hotel (because it was the one and only hotel up and running at the time). And without a minute wasted, we hopped on a rental scooter to discover our surroundings. Dressed only in swimsuits and sun protection, we set a course for Centro (town) on our 50cc moped.
With the sun on our faces and sea-breeze at our backs, Ros hung on for dear life as we cruised like Easy Riders for all of ten minutes…in the wrong direction. While I had asked the desk clerk for directions in Spanglish, his quick response in Spanish only left me guessing if I should make a left or right turn at the hotel entrance. So I made a left, and followed the road for five miles.
I still remember the event clearly. There was no warning, no barrier–only a road…then no road–just a drop-off of sand and rocks. A split second reflex to squeeze the brakes to avoid a wipeout was not without consequences. I pictured us in a time-lapsed, slow motion free-fall–my wife hurdling over the handlebars in a tuck position, and me rolling with the bike until it came to a stop in a black gravel pile.
My ears were ringing, making it hard to figure if the groans were coming from Ros or me. Instinctively, I kicked the back wheel off my bloody leg and tried to stand until I realized that my Technicolor world had been replaced by overlapping layers of yellow, magenta, and cyan–ever so slightly out of registration: clear signs of a concussion that I didn’t realize at the time, but none of that mattered at the moment.
My mission, compelled by a sense of urgency (and driven by excessive amounts of adrenalin) was to rescue my wife, who was presently lying beside the broken road, curled into a fetal position and sobbing. Fortunately, her condition looked worse than she felt. We managed to prop each other up, and limp back to the scooter to assess the damage.
We were in the middle of nowhere with a twisted bike frame and no means of calling for help. Our options were few and far between. Collectively, we mustered our strength and pushed the scooter back to El Presidente, where we both collapsed from heat exhaustion and shock. The concierge immediately summoned a doctor from Playa.
Meanwhile, two bellmen carted us to our room in a luggage carrier, where we were met by two housekeepers with wet towels, who oh-so-gently wiped down our blood-stained arms and legs. As we lay in bed waiting for medical assistance, the maids and bellmen–not knowing what else to do for us in our serious state–determined that fanning us would make us feel better, so each took turns waving a bath sheet from the foot of our bed until the doctor arrived.
Fortunately, our diagnosis was better than expected: our limbs and torso wounds were only superficial–analogous to second-degree burns; and my concussion was considered mild. As the doctor cleaned and bandaged us, he recounted that 90% of all accidents on Cozumel were scooter-related. As if to cheer us up, he considered us lucky that our injuries were far less serious than others he’s treated. True, but even so, the treatment seemed cruel and unfair.
Here we were, stranded on a quiet Caribbean island during our honeymoon, surrounded by clear turquoise waters in the thick of summer, and the doctor advised us against swimming for fear of infection. Instead, we were both confined to bed rest with no possible chance of intimacy. And to make matters worse, I was ordered to refrain from alcohol, except for tending to our cuts and scrapes.
For sure, those were the hardest seven days I ever spent in bed.