“It’s a fine line between nutty and eccentric,” explained docent Jim Masseau of the Bayernhof Museum, “and the difference between the two is money.” Over the next two-plus hours, as Leah and I toured this residential mansion in suburban Pittsburgh, Jim’s definition proved to be an understatement, as we learned more about the behavior of Charles Boyd Brown III, the master of Bayernhof.
We entered the house through heavy double-doors, which opened into an airy vestibule sporting a heavy chandelier–
befitting a man who made his fortune fabricating sand-casted aluminum lanterns.
Along the way, we passed what appeared to be a life-sized Hummel figurine (later identified as bearing a likeness to his great-grandfather),
and gathered in the family room with the other guests, only to stare at Charlie’s portrait while we waited for Jim to begin the tour.
After informal introductions, Jim fed us details about Charlie’s bachelor life (born in 1937) and the house he left behind.
Built high on a hill covering 18 acres, and completed in 1982–after 6 years of construction without blueprints–Charlie’s 19,000 square-foot, Bavarian-styled “castle” overlooks the Alleghany Valley, with views reaching one-hundred miles beyond city limits on a clear day.
However, despite Charlie’s dream of constructing a $4.2 miilion estate with German folk-flourishes–
featuring 6 bedrooms…
8 bathrooms, 3 full-sized kitchens, 12 wet bars, 10 fireplaces…
a rooftop observatory with a 16 inch reflecting telescope…
a basement batcave made of concrete and fiberglass,
a swimming pool with a 10-foot waterfall…
a wine celler with a working copper still…
a billiard room (starring a pool table thought to belong to Jackie Gleason)…
a home office…
and a boardroom (only used twice)–
his house, unfortunately, would never be considered museum-worthy on its own. Charlie would need a gimmick to attract greater attention. And that’s when he started collecting automated music machines from the 19th and 20th century.
Charlie couldn’t carry a tune, and had as much musicality as a bag of bagel holes. But his appreciation for century-old music machines instructed his passion for collecting them, until he acquired nearly 150 working devices (many rare and unusual), now scattered throughout the premises.
A sample of instruments can be viewed in the video below:
As Charlie grew his collection, he loved showing them off, and held lavish parties for 5 to 500 guests at a time–always in charge of the cooking, and always dressed in one of his signature blue Oxford shirts. He owned 283 of them. Whenever he tired of his company, he would magically slip away through one of many secret passages, leaving his guests to fend for themselves.
Before Charlie passed away in 1999, he endowed a foundation valued at $10 million to convert his home into a museum. In 2004, the O’Hara Township zoning board granted his wish, and the Bayernhof Museum was born, with the stipulation that pre-arranged guided tours be limited to 12 people at a time.
Charlie’s Bayernhof got its big break when CBS News did a feature for its Sunday Morning broadcast earlier this year…
and the phones haven’t stopped ringing since.
Charlie would have been very pleased.
I know I was.
9 thoughts on “Bayernhof”
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While not exactly my taste in home decor, the seating was comfortable, and the 80’s vibe added extra color. Besides, how bad can it be to have 12 bars in a house plus a wine cellar. Party time!
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So the House on the Rock does have some competition after all.
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It seems that way. There aren’t enough of these kinds of people on the planet.
Great post 😁
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Awesome post. Thank you.
Have a good day!