Otto’s Collections

The former Alcazar Hotel in St. Augustine, FL was originally built by Henry Flagler in 1888…

The Alcazar from the Ponce (2)

as an adjunct to the Hotel Ponce de Leon (see The Poshest Campus in America) to accommodate overflow patronage and provide recreational facilities to his guests. Built in the style of Spanish Renaissance Revival with Moorish overtones, the Alcazar was patterned after its famed royal palace namesake in Seville, Spain.

tower

The Alcazar enjoyed a storied history, hosting society’s gentry throughout the winter months, and at one time housing the world’s largest indoor swimming pool…

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until the Great Depression forced the hotel to shutter its doors in 1930. The Alcazar remained uninhabited for the next seventeen years, and sunk into ruin.

Enter Otto C. Lightner, a Chicago editor and publisher who purchased the property in 1947 for $150,000…

portrait

and began an extensive restoration campaign in anticipation of moving his massive Victorian era arts collection from Chicago into a proper facility worthy of its size and stature.

formal portrait

Today, this National Register Historic Landmark features an elaborate courtyard with a stone arch bridge…

gardens

over a koi pond.

koi

koi frontal

The first floor of the museum simulates a Victorian street emporium showcasing shop front window displays of assorted paraphernalia,

eggs

pocket watches

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spectacles

spoons

toys

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Industrial Arts inventions,

toasters

mechanized music machines,

Victrola speaker

and curiosities, like an Egyptian mummy and an aboriginal shrunken head.

shrunken head (2)

The second floor features the remnants of Alcazar’s Turkish and Russian baths…

bath plumbing

offering vaulted views across the courtyard.

circle window

Access doors to the baths stand at opposing sides the gallery vesibule.

2nd floor

Continuing on, the gallery boasts a prodigious collection of Victorian cut glass beneath a Tiffany chandelier,

glassware

The third floor exhibits fine furniture,

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relevant fine art oil paintings from the Renaissance,

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and additional collections, from match boxes…

matchboxes

to cigar bands.

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The Lightner Museum represents Otto C. Lightner’s legacy of collecting.

He endowed his collection to the city of St. Augustine upon his death in 1950, and continues to keep a close eye on his Chicago treasures from the courtyard, where his remains are buried.

The Poshest Campus in America

In 1888, Henry Flagler of Standard Oil fame opened the Hotel Ponce de Leon (a.k.a the Ponce) in downtown St. Augustine to the delight of many fortunate Northerners, who eagerly took up tropical residency in one of 450 rooms during the winter season.

Ponce de Leon Hotel panorama

The elaborate Spanish Renaissance design was designed by the renown firm of Carrère and Hastings, with terra-cotta flourishes provided by Emmanuel Louis Masqueray.

exterior detail

Construction consisted of poured concrete over a coquina base–a new-fangled technique that laid the groundwork for future prominent buildings throughout the country.

Hotel explanation

Louis Comfort Tiffany and Company was responsible for the interior design, using the ballroom ceiling as an inspired palette for his signature “Tiffany blue”,

Mantle (2)

and an anchor for a complement of Austrian crystal chandeliers.

Parlor Chandelier

For three and one-half months and the princely sum of $4,000 ($100K by today’s count), Flagler’s pampered guests enjoyed uncommon luxury for their time, which included private bathrooms, building-wide electricity supplied by Edison’s on-site DC dynamos (another first for a hotel), gourmet meals, and nightly entertainment.

Upon entry through the Beaux-Arts gateway,

entry and statue

guests would cross the courtyard gardens past the playful sundial fountain

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adorned by twelve spitting terra-cotta frogs.

spitting frog fountain (3)

Guests would continue through the hotel doors…

entrance (2)

to gaze at the legendary rotunda:

The grand entranceway of the historic Ponce de Leon has been called the most elegant room in St. Augustine. The ornate Rotunda has captivated guests and visitors since the debut of the hotel on January 10, 1888. Richly decorated, the three-and-half story dome displays spectacular murals by George Willoughby Maynard and brilliant gilding that warms dimly lit spaces.

The Rotunda is the pivotal point of the Hotel Ponce de Leon’s floor plan, the crossing of the main north-south and east-west axes. In this central location hotel guests arrived, departed, socialized, waited for their carriages, or strolled to other areas of the hotel complex. The Rotunda linked the private guest room wings…to the public spaces of the hotel.

Rotunda

At the first floor level, eight caryatids (robed figures of women) carved in oak support the 80-foot dome and shape the octagonal plan of the Rotunda. Around the ornate wooden pillars, mosaic tile floors, marble and dark oak baseboards, large fireplaces, and gilded walls create the exotic atmosphere of this room. Hidden from view is a structural dome piercing the rooftop that shields a solarium. Originally balconies accessed from the solarium hosted tropical roof gardens and a breathtaking view of St. Augustine. In 1893, lion heads with electric lights were added at the mezzanine level.

carved column

On the plaster walls of the dome at the second floor level, noted muralist George Maynard painted eight elaborate female figures representing the four elements – Fire, Earth, Air and Water – and the four stages of Spanish exploration – Adventure, Discovery, Conquest and Civilization. Around these principal figures are many layers of symbolism, rendered by Maynard in meticulous detail. In 1897, ten years after their completion, Maynard reproduced these murals in the Thomas Jefferson Building of the Library of Congress.

Rotunda explanation

Presently, the ballroom at the west end serves as an orientation facility for guided historic tours and a ceremonial setting for faculty,

parlor left

but also houses a selection of relics from a bygone era in an adjoining parlor,

Parlor right

with an emphasis on fine art,

mural

and family life.

Flagler family

At the north wing of the hotel, the cavernous dining hall commands attention for its opulence and splendor.

Dining room panorama

Ten barreled bay windows are panelled in Tiffany stained-glass,

Dining Hall explanation

and believed to be part of the world’s largest private collection–making it worthy of safeguarding by forming a sandwich of bullet-proof glass on the outside,

Tiffany window

and unbreakable acrylic on the inside.

[Diners sat beneath a quad of]…graceful angels that represent the four seasons, and a majestic Spanish galleon under full sail–an artistic rendition of the ship that brought Ponce de Leon to Florida in search of the Fountain of Youth.

Dining room ceiling

[Again], the majestic ceilings were the work of George Willoughby Maynard, the nation’s foremost muralist of the time. Full-length female figures were the focal point of this room. The ceilings hold Spanish crests and coats of arms intermingled with colorful proverbs.

DR ceiling detail

The hotel was commandeered by the federal government during World War II, and used as a Coast Guard training facility. When the building was decommissioned by the Coast Guard after the war, hotel operations resumed, but sales and travelers were never as robust as before.

The Ponce made history again on March 31, 1964, when the dining room was chosen by black students from Richard J. Murry Middle School as the site for a mass sit-in, which ended in police violence and arrests, ultimately resulting in Senate passage of the landmark Civil Rights Act of 1964.

The Ponce closed its doors in 1967, only to reopen the following year as the centerpiece of the newly endowed Flagler College, where the newly restored Ponce continued its service to historic St. Augustine as a residence hall and campus cafeteria for freshman girls.  

Flagler College (2)

Presently, tuition, room and board totals $30,000, which in the scheme of things, seems like an unlikely bargain at today’s prices for yesterday’s glamor. 

(The building was added to the U.S. National Register of Historic Places in 1975, and was awarded National Historic Landmark status on February 21, 2006.)

 

Tied Pools

Henry Flagler’s Hotel Alcazar opened its doors in 1888 to fête the upper crust who rode his rails to St. Augustine to escape the harsh northeastern winters.

Designed in the Spanish Renaissance Revival style, the hotel was an elegant getaway that boasted every convenience and amenity for its guests, including the world’s largest swimming pool at 120 feet long by 50 feet wide, and depths ranging from 3 feet to 12 feet.

pool history

The pool was constructed as the centerpiece of the hotel casino annex that also featured a workout room, therapeutic baths, a steamroom, and bowling lanes. An artesian well fed a constant flow of fresh sulphur water to the pool to sustain moderate temperatures and assure clarity. The roof featured louvered glass panes that opened for ventilation.

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The hotel was shuttered in 1932, and laid dormant until Otto C. Lightner purchased the building in 1947 to showcase his extensive Victorian Era arts collection.

Today, the Lightner Museum is listed on the National Register of Historic Places, and the pool is home to Café Alcazar, a subterranean eatery serving lunch off the deep end.

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The moment I entered the room, I felt I was in the middle of a Downton Abbey episode. It was easy to imagine a tony troop of aristocrats parading in their top hats and arm length evening gloves.

After surveying the room, I had a notion to create an Escheresque puzzle that could tease the viewer into questioning whether the following composition is a mirror image of itself, or a pool reflection, or both.

Or is it just a deception?

There are subtle clues in plain sight that may aid in deciphering the composition. The proof is in the putting.

fool pool1a (2)

Happy hunting!